ABOUT the ART

Mixed Media Originals with Digital Foundation

A perpetual journey of conceptual art exploring many genres while endeavoring to effectively achieve personal expressions.

My work begins with a pencil or pen to develop the initial ideas.  As the concept develops other image elements are added to the composition. Once the concept begins to solidify the art elements and reference images are moved into the digital space, where I further develop compositions, explore form, and refine the conceptual direction of each piece. Often times this digital stage serves as an underpainting—a foundational layer where structure, balance, and intent are established. Sometimes the digital stage becomes a feature element on an hand painted background.

From there, the work transitions into the physical world. Each composition is produced as a high-quality print on fine art substrate, becoming the starting point for an analog transformation. I build upon this surface using mixed media—paint, mark-making, texture, and material interventions—allowing the piece to evolve beyond its digital origin.

No two works are identical. Each piece is individually altered, layered, and resolved by hand, introducing variation, depth, and physical presence. The digital component provides precision and control; the physical process introduces unpredictability and human response. It is in this tension that the final work emerges.

I consider the digital layer not as the finished piece, but as the first step in a larger, tactile process. The result is a one-of-a-kind original that bridges technology and material—where concept, process, and surface converge.

To further connect the viewer with the work, each piece includes a QR code linking to its story, process, and context—extending the artwork beyond the physical object into an ongoing dialogue. These originals are assigned an original catalog number and issued a certificate of authenticity and provenance.  

Studio Code: What the codes listed with the art mean

  • OA | Original Art
  • OMP | Original Mixed Media Print
  • OMC | Original Mixed Media Canvas
  • LE | Limited Edition series print run of high quality archival, hand signed, numbered, embossed and cataloged collectors edition prints
  • A | Archival grade paper stock and inks
  • MP | Museum Print - museum quality premium print, archival inks, high grade paper stock
  • S | hand Signed by artist
  • N | Numbered limited edition print, artist signs and numbers each piece
  • EMB | stamp Embossed with unique studio mark for authenticity
  • AP | Artist Proof - 12 prints made for the artist from the finalized artwork
  • OE | Open Edition, unsigned prints, not limited in number
  • PP | Printer's Proof, similar to an AP but for the printer, usually rarer than APs
  • HC| Hors de Commerce, meaning "out of trade," artist's copies, not for sale

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Limited Edition • 
ARCHIVAL MUSEUM GRADE FINE ART PRINTS 

Produced by Glaze Studios on a Canon ProGraf 1100 photo printer designed for professional-quality output using a 12-ink Lucia PRO II pigment system.

Original Paintings and Art

Oil and Acrylic paintings primarily on canvas but some are on glass, masonite, musical instrument cases... all originals come with a 8.5x11 Art Sample Print included with the certificate of authenticity and provenance.

Certificate of Authenticity

 Certificate of Authenticity Original art package

Paper / Substrate Stock:

gsm • Density in grams per square meter | mil. • Thickness represents one-thousandth of an inch (0.001 inch)

Breathing Color Crystalline Satin Canvas • Oxford 2 over 1 weave canvas, 21 mil, 440 gsm crystalline canvas, semi-smooth, single-sided canvas roll. Fine Art Trade Guild approved.

ILFORD GALERIE Series Professional Fine Art Papers • Archival, museum grade, high-density, resin coated, 12mil thick, 310 gsm

Canon AMP10 10 Fine Art Matte • Heavy-weight, 10 mil. 230 gsm matte photo paper, bright white, non-reflective surface, vibrant, high-contrast, and glare-free. High opacity (>95%) and high brightness, acid-free media designed for high ink loads.

Canon Pro Luster paper, a 72lb. 255 gsm, 10.2 mil, and 92% ISO brightness. Ideal for perfecting color. Used for Limited Edition Artist Proofs

Canon Glossy Photo Paper
240 gsm resin-coated paper is 10 mil., bright white, high-gloss finish.


Artist Proof?

Artist's Proofs are made during the process of fine tuning the final tone, contrast and color on the artwork. Once the final adjustments are made, 12 ARTIST PROOFS are made on 13x19 inch professional luster premium photo paper, 72lb., 270 gsm. Artist Proofs are limited edition, hand signed, numbered and custom embossed.

Limited Edition Signed, Numbered, Embossed Sample

*AP/S/N/EMB *LE Run/12 = ARTIST PROOF / SIGNED / NUMBERED / EMBOSSED *Limited Edition Run of 12 prints, includes Certificate of Authenticity / Provenance.  The number of the archival fine art print will be the lowest still available at the time of purchase. These are printed in original ratio on a full sheet of 19x13. The actual art image size may vary based on its original size and shape.


Acrylic painting Nick & Scrappy on a bedroom wall by Doug LaRue

Art Commissions • Acquiring Original Work

Currently there are a few people on the waitlist for new commissioned paintings. The wait is around 30-60 days. Minimum size dimensions are 16x20 in. which starts at $2500. Your preferred dimensions are welcome, If you would like to commission new art, please provide Doug with some project information:  

Collector Commission Inquiry 


How does the refundable deposit for a commission painting work? 

For any artwork other than portraits, a 50% deposit is needed to be added to the waitlist, however the full deposit is refundable at any time. The commission can be canceled prior to, during, or after the painting is finished either by Doug or the client. Art is very personal and subjective for both the client(s) and the artist, so in the event that a commissioned artwork is not claimed it will be released to the open market and/or the galleries.

For a commission, typically clients will suggest a subject, and palette preferences. Doug does not accept all subjects or color palettes but is happy to hear what you have in mind. For example, a client might say they want a 72 in x 90 in horizontal artwork depicting something reminiscent of their favorite three paintings from his catalog. Since the deposit is 100% refundable on non-portrait art, Doug has the freedom to run with the suggestion and infuse the inspiration into the original final concept. 

Portrait Commissions, a 50% deposit is needed to be added to the waitlist. The commission can be canceled prior to completion, 15% of the deposit will be returned to the client. Client will have the opportunity to view the artwork before it is finished for "Approved for Completion" authorization.  After the painting is  "Approved for Completion" and finished the client may still cancel the commission, if this is the case the deposit will not be returned to the client. Art is very personal and subjective for both the client(s) and the artist, so in the event that a commissioned artwork is not claimed or canceled it will be released to the open market and/or galleries.


Custom Prints and Canvases

Yes! Doug has affiliations with selected printers that produce quality stretched canvases, archival hot press or cold press prints, acrylic, metal and wall mural prints.  Contact the studio and request a quote by providing the title of the artwork you desire and the size you are most interested in.  Doug will get back to you with a price that includes shipping and timeline.


Artist PDFs

Resume | Curriculum Vitae

bio / cv

Artist Portfolio

 18mb folio (print) | 8mb folio (screen)

Collections

Mixed Media  |  Abstracts  |  Paint  |  Camera  |  Animalia  |  Music |  A21  |  V19